* Wer, wenn ich schriee, hörte mich /Who, when I cried, heard me (for percussion and ensemble )

Georg Friedrich Haas: Wer, wenn ich schriee, hörte mich..(1999)

Martin Lorenz, percussioni Collegium Novum Zürich diretti da Enno Poppe.

Haas’ filigree-fine structured music lights up the dark zones of a society from which the “other”, the alien, is increasingly excluded, and through its critique simultaneously creates a counter image, in a kind of “..harmony of free entities…”, as a direct reference to Hölderlin’s Utopia…..(Reinhard Kager)