16 (2001)

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Gwendolyn A. Morgan: Introduction

Brian Lee: Walter Charleton and the Matron of Ephesus: Chaucerian Parody in the Seventeenth-Century Anti-

Feminist Controversy

Nils Holger Petersen: Freedom, Oppression, and Celebration: Rossini’s Guillaume Tell

Magnar Breivik: The Medievalism of Paul Hindemith

Marilynn Lincoln Bard: Re-envisioning Medieval Allegories of Death for a Post-Darwinian Cosmos: Time, Death, and Judgment in the Art of G. F. Watts

Martin Walsh: Synge/Yeats/Beckett/Murphy: The Afterlife of an “Old French Farce” in Modern Irish Drama

Stephanie Trigg: Medievalism and Australian Gothic

Karl Fugelso: Modern Artistic Response to Pre-Modern Miniatures of the Divine Comedy

Vincent J. Francavilla: Heraldry: An Iconic Language

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