Publications
Here you can find a list of selected publications by our members.
Alcaraz León, M. J. (2019) “Beauty and the Agential Dimension of the Judgment Taste” in Huemer, Wolfgang and Vendrell, Ingrid, Beauty: New Essays in Aesthetics and the Philosophy of Art, Philosophia Verlag, pp. 44-70.
Alcaraz León, M. J. (2019) “Aesthetic Intimacy” in Oiva Kuisma, Sanna Lehtinen & Harri Mäcklin (Eds.) Paths from the Philosophy of Art to Everyday Aesthetics, Finnish Society for Aesthetics, Helsinki, ISBN 978-952-94-1878-7, pp. 78-100.
Alcaraz León, M. J. (2018) “Aesthetics Makes Nothing Happen? The Role of Aesthetic Properties in the Constitution of Non-aesthetic Value” The Journal of Aesthetics and Art Criticism, vol. 76:1, pp. 21-31. http://onlinelibrary.wiley.com/doi/10.1111/jaac.12416/full
Alcaraz León, M. J. (2016) “Is there really a puzzle over negative emotions and aesthetic pleasure?” The Nordic Journal of Aesthetics, nº 52, 51-67. https://tidsskrift.dk/nja/article/view/25617
Alcaraz León, M. J. (2016) “Is there a specific sort of knowledge from fictional works?” Teorema, Vol XXXV, nº 3, pp. 21-46.
Appelqvist, H. 'Wittgenstein and Levinas on the Transcendentality of Ethics'. Appelqvist, H. & Pöykkö, P-M., 2020, Wittgenstein and the Limits of Language. Appelqvist, H. (ed.). New York: Routledge, p. 65-89 24 p. (Routledge Studies in Twentieth-Century Philosophy).
Appelqvist, H. 'Wittgenstein and the Limits of Language'. Appelqvist, H. (ed.), 2020, New York, NY: Routledge. 298 p. (Routledge Studies in Twentieth-Century Philosophy; vol. 48)
Appelqvist, H. 'Beauty and Rules: Kant and Wittgenstein on the Cognitive Relevance of Aesthetics'. 2019, Beauty: New Essays in Aesthetics and Philosophy of Art. Huemer, W. & Vendrell Ferran, Í. (eds.). Philosophia Verlag GmbH, p. 43-70.(Philosophia: Basic Philosophical Concepts).
Appelqvist, H. 'Kant on Religious Faith and Beauty'. Dec 2019, Limits of Pragmatism and Challenges of Theodicy: Essays in Honour of Sami Pihlström. Rydenfelt, H., Koskinen, H. J. & Bergman, M. (eds.). Helsinki: Philosophical Society of Finland, p. 203-211 9 p. (Acta Philosophica Fennica; no. 95).
Appelqvist, H. 'Wittgenstein: Lectures, Cambridge 1930-1933, From the Notes of G. E. Moore'. Jul 2019, In : Mind. 128, 511, p. 984-993.
Appelqvist, H. 'Wittgenstein and Musical Formalism: A Case Revisited. In : Ápeiron. 2019, 10, p. 9-27 19 p.
Appelqvist, H. 'Wittgenstein on the Grounds of Religious Faith: A Kantian Proposal'. 2018, In : European Journal of Philosophy. 26, 3, p. 1026-1040.
Appelqvist, H. 'What Kind of Normativity is the Normativity of Grammar?' 2017, In : Metaphilosophy. 48, 1-2, p. 123-145..
Appelqvist, H. 'On Wittgenstein's Kantian Solution of the Problem of Philosophy'. 2016, In : British Journal for the History of Philosophy. 24, 4, p. 697-719.
Appelqvist, H. 'Wittgenstein and the Limits of Musical Grammar.' 2013, In : British Journal of Aesthetics. 53, 2, p. 299-319.
Bak Herrie, Maja: Det digitale objekt: Æstetik, data og kulturteknik [The Digital Object: Aesthetics, Data and Cultural Techniques]. PhD dissertation, School of Communication and Culture, Aarhus University, 2019.
Vandsø, Anette, Espensen, Pernille Leth & Bak Herrie, Maja: Temporalitet og tid i kunst, special issue of Passepartout. Winter 2019.
Bak Herrie, Maja: “Tracing the Outlier: Digital Objects and Algorithmic Sorting in Rossella Biscotti’s Other” in Journal of Aesthetics and Culture, vol. 11, no. 1, 2019.
Bak Herrie, Maja: “‘Qui est Dominique Lambert?’: Sammenligningens virtuelle objekt” in Sammenligninger, special issue of K&K – Kultur & Klasse, vol. 127, 2019.
Bak Herrie, Maja: “I en sky af digitalt rod” in ATLAS, January 31 2019. Web.
Bak Herrie, Maja: “Vi har uddelegeret forbruget og nydelsen til Netflix og de andre teknologigiganter” in Information, May 2 2018.
Bak Herrie, Maja: “Unddragelsens kunst: Hermetiske objekter og deiksis uden kontekst i Gertrude Steins Tender Buttons” in Passage – tidsskrift for litteratur og kritik, vol. 32, no. 77, 2017.
Bak Herrie, Maja: “Elusive Borders” in Peer-reviewed Newspaper, Transmediale Art & Digital Culture, Berlin, February 2 2017.
Bak Herrie, Maja: “Elusive Borders: Virtual Gravity and the Space-Time of Metadata” in A Peer-Reviewed Journal About, vol. 6, no. 1, 2017.
Carrasco, M. “Laughing at Ugly People. On Humour as the Antitheses of Human Beauty”. Proceedings of the European Society for Aesthetics 2019. 11, pp. 126 - 158. 2019
Carrasco, M. “Naturaleza y valor de la literatura”. Disputatio. Boletín de Investigación Filosófica. 8 - 10, pp. 00 - 00. 2019. <https://disputatio.eu/vols/vol-8-no-10>.
Carrasco, M. “Make me Feel, and Think: The Role of Aesthetics in the End of Art”. Makky, L. (ed.): Questions and Problems of Perspectives of Art in Particular “Ends of Art“ in the Aesthetic, Artistic and Philosophic Theories. STUDIA AESTHETICA XIX. pp. 31 - 42. Prešov (Eslovaquia): University of Presov in Presov/ Prešovská univerzita v Prešove, 2019.
Carrasco, M. “Belleza”. Enciclopedia de la Sociedad Española de Filosofía Analítica (URL: http://www.sefaweb.es/belleza/). pp. 1 - 12. Sociedad Española de Filosofía Analítica, 2019.
Carrasco, M. "¿Es posible el regreso de la belleza? Estética, Belleza y Política en el Arte Contemporáneo". Ágora. Papeles de Filosofía, 36/2, 2017, pp. 151-17
Carrasco, M. “Aesthetics and the meaning of artworks”. Cosmo. Comparative Studies in Modernism. 6, pp. 51 - 64. 2015. <DOI: 10.13135/2281-6658/798>.
Carrasco, M. "Valores artísticos y experiencia estética". En F. Pérez Carreño (ed.) El valor del arte, Madrid: Antonio Machado, 2017, pp. 49-76.
Carrasco, M. "Aesthetics and Artistic Effectiveness: the latest Danto on Art and Politics". Arte y Filosofía en Arthur Danto, Sixto J. Castro y Francisca Pérez Carreño (eds.). pp. 293 - 310. Murcia (España): EDITUM, 2016
Carrasco, M. “Au-delà du conceptualisme: l’esthétique et l’art d’aujourd’hui”. Nouvelle revue d’esthétique.1-15, pp.149 - 161. 2015.
Danielsen, M. 'Terapi som kunst' (Therapy as Art) Billedkunst 2019.
Danielsen, M. 'Handlingens motivasjon' (The act’s motivation) Hakapik.no 2019.
Danielsen, M. 'Meditasjon og nummenhet' (Meditation and numbness) Billedkunst 2018.
Danielsen, M. 'Å koble seg på' (Connecting to) Hakapik.no 2018.
Di Stefano, E. Iperestetica. Arte, natura, vita quotidiana e nuove tecnologie, [Hyperesthetics. Art, nature, daily life and new technologies] Palermo: Centro Internazionale Studi di Estetica, 2012.
Di Stefano, E. Che cos’è l’estetica quotidiana, [What is Everyday Aesthetics] Roma: Carocci, 2017.
Di Stefano, E. Designing Atmospheres. The Role of Aesthetics in the Requalification of Space, in Mario Bisson (ed.), Environmental Design. 2nd International Conference on Environmental Design, DE LETTERA WP, Milano, 2017, pp. 15-21.
Di Stefano, E. Cosmetic Practices: The Intersection with Aesthetics and Medicine in Aesthetic Experience and Somaesthetics, ed. by Richard Shusterman, Series: Studies in Somaesthetics, Leiden-Boston, BRILL, 2018, pp. 162-179.
Di Stefano, E. The Power of the Gift. A Perspective of Political Aesthetics, in Popular Inquiry. The Journal of the Aesthetics of Kitsch, Camp and Mass Culture, vol. 1, 2019, special issue “Appearances of the Political Anthology”, Noora-Helena Korpelainen, Olivia Glasser, and Emily Aiava (Eds.), pp. 26-35.
Di Stefano, E. Art in the streets. Artification Strategies for Public Space, in 3rd International Conference on Environmental Design, ed. By Mario Bisson, Palermo University Press, 2019, pp. 121-126.
Di Stefano, E. From Familiar to Uncanny. Aesthetics of Atmospheres in Domestic Spaces, Proceedings of the 21st International Congress of Aesthetics, Possible Worlds of Contemporary Aesthet-ics:Aesthetics Between History, Geography and Media (ICA2019), 22-26 July 2019, Bel-grad, Serbia, University of Belgrade - Faculty of Architecture, pp. 1750-1756.
Hjort, M, and E. Jørholt (eds). African Cinema & Human Rights, “Studies in the Cinema of the Black Diaspora” series, edited by Michael T. Martin and David C. Wall. Bloomington, IN: Indiana University Press and the Black Film Center/Archive, 2019.
Hjort, M. ‘What is Denmark doing in the Middle East? Soft Power, Capacity Building, and Film as Art.’ In Cinemas of Elsewhere: A Globalized History of Nordic Film Cultures, edited by Anna Stenport and Arne Lunde, 2019.
Hjort, M. ‘In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples.’ In African Cinema & Human Rights, 2019.
Hjort, M. ‘The Public Value of Film: Moving Images, Health, and Well-being.’ In Journal of Scandinavian Cinema, special issue devoted to Movings Images, Health and Well-being, edited by Mette Hjort and Tommy Gustafsson, 2018.
Hjort, M. ‘Guilt-based filmmaking: moral failings, muddled activism, and the dogumentary Get a Life.’ In special issue of Journal of Aesthetics and Culture, edited by Elisabeth Oxfeldt. 10. 2018. P1: 6–13.
Hjort, M. ‘Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production.’ In Refocus: The Films of Susanne Bier, edited by Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice, 2018, p. 130-144. Edinburgh: Edinburgh University Press.
Hjort, M. ‘Eyes on the Future: World Cinema and Transnational Capacity Building.’ In Routledge Companion to World Cinema, edited by Rob Stone, Paul Cooke, Stephanie Dennison, Alex Marlow-Mann, 2017. 482-496. London: Routledge.
Hjort, Mette. ‘Creative Strategies: Lars von Trier’s Medea.’ In Blackwell Companion to the Reception of Classical Myth, edited by Vanda Zajko, 2017. 447-461. Malden, MA: Blackwell.
Hjort, M. ‘Unlikely Empathy: The Process and Effect of Identification in Listen.’ In Short Film Studies. 2017. 8.1: 73–77.
Hjort, M. ‘Talent Development and Capacity Building in Small Nations: On the Twinning of Film-Makers.’ Journal of Scandinavian Cinema, special issue edited by Ilona Hongisto, Bill Nichols, and Malin Wahlberg. 2016. 6.2: 81-100.
Burman, C., Johansson, B., Meurling, B.(2019). Tillsammans: Damsällskapet Concordia i Uppsala 100 år.
Johansson, B.(2019). Konsten.Ingår i: Tillsammans: Damsällskapet Concordia i Uppsala 100 år, Carina Burman, Britt-Inger Johansson och Birgitta Meurling (redaktör), Uppsala: Acta Universitatis Upsaliensis. 76-99.
Meurling, B., Burman, C., Johansson, B.(2019). Inledning.Ingår i: Tillsammans: Damsällskapet Concordia i Uppsala 100 år, Carina Burman, Britt-Inger Johansson och Birgitta Meurling (redaktör), Uppsala: Uppsala universitet. 9-12.
Johansson, B.(2018). Gudstjänstrum.Ingår i: Kristen gudstjänst: En introduktion, Stina Fallberg Sundmark (redaktör), Skellefteå: Artos & Norma bokförlag. 219-240.
Johansson, B., Caldenby, C.(2016). Editorial: Historiography of Swedish Architecture. Konsthistorisk Tidskrift, London. 85(1): 1-7.
Larsen, B. «Gray and the Silence of Surfaces» in Kamini Vellori and Aron Vinegar (ed), Grey on Grey: On the Threshold of Philosophy and Art, Edinburgh University Press,. upcomming 2020.
Larsen, B. Perspectives on the Nordic, Jakob Lothe & Bente Larsen (ed), Oslo, Novus Forlag, 2016
Larsen, B. “Vilhelm Hammershøi: A Danish Avant-Garde Painter », in Jakob Lothe & Bente Larsen (ed), Perspectives on the Nordic, Oslo, Novus Forlag, 2016,.
Larsen, B. “Fragment and Laughter: The Art of Thomas Schütte”, in Mathilda Olof-Ors (ed.) Thomas Schütte, United Enemies, Koenig Books, London. 2016.
Larsen, B. “The Infinity of Water Lilies: On Monet’s Late Paintings” in Gordon McMullan and Sam Smiles (ed.) Late Style and its Discontents: Essays in art, littererture and music, London, Oxford University press, 2016.
Larsen, B. "Eye, Matter, and Interpretation" , Nordisk Estetisk Tidsskrift, no.46, 2013
Lee, Lenka. Drobné revoluce: streetartové umění v kulisách každodennosti (Little Revolutions : Street art and the Aesthetics of Everyday Life). In Pašteková, Michaela; Brezňan, Peter. Umenie, estetika, politika. Bratislava: Slovenská asociácia pre estetiku, 2019. p. 258-267 (together with Ondřej KRAJTL).
Lee, Lenka. New Beauty: Between Hipsters and Folklore. Popular Inquiry, 2019, vol. 2, No 2, p. 43-52; Nová éra Arts and Crafts v Brně po roce 2000 (The New Era of The Arts and Crafts in Brno from 2000). In Makky, Lukáš. Otázky a problémy perspektív umenia, respektíve „koncov umenia“ v estetických, umenovedných a filozofických teóriách. Prešov: Filozofická fakulta Prešovskej univerzity v Prešove, 2019. p. 180-188.
Lee, Lenka. Paskvil, nebo umění? Nový diletantismus jako zdroj unaveného publika (A Scribble or The Art? New Diletantisms as a Source of Tired Audience). ESPES, Prešov: Society for Aesthetics in Slovakia, 2019, vol. 8, No 1, p. 37-46.
Lee, Lenka. Traktát De Amore ve světle dvorské kultury (The treatise De amore in the context of courtly love). Brno: Masarykova univerzita, 2012; The Rhetoric of Seduction in the Treatise De Amore. In Madalina Diaconu and Miloš Ševčík. Aesthetics Revisited: Tradition and Perspectives in Austria and the Czech Republic. Neuveden: LIT VERLAG, 2011. p. 51-63.
Lehtinen, S. (forthcoming in 2020). “Buildings as Objects of Care in the Urban Environment”, in Aesthetics in Dialogue: Applying Philosophy of Art in a Global World, eds. Z. Somhegyi & M. Ryynänen, Berlin: Peter Lang.
Lehtinen, S. (forthcoming in 2020). ”Aesthetic Sustainability in Designing Value Change”, Invited contribution to Situating Sustainability: A Handbook of Contexts and Concepts, eds. R. Toivanen & P. Krieg, Helsinki: Helsinki University Press.
Lehtinen, S. & Vihanninjoki, V. (2020). ”Aesthetic Perspectives to Urban Technologies – Conceptualizing and Evaluating the Technology-Driven Changes in the Urban Experience”, in Technology and the City: Towards a Philosophy of Urban Technologies, eds. M. Nagenborg, M. G. Woge, T. Stone & P. Vermaas. Dordrecht: Springer.
Lehtinen, S. 2019. ”New Public Monuments: Urban Environmental Art And Everyday Aesthetic Experience”, Open Philosophy 2 (1): Topical issue "Does Public Art Have to Be Bad Art?" (ed. Mark Kingwell), pp. 30–38.
Lehtinen, S. & Vihanninjoki, V. 2019. “Seeing New in the Familiar: Intensifying Aesthetic Engagement with the City through New Location-Based Technologies”, Behaviour & Information Technology 2019, (8 pages).
Mladenovic, M., Lehtinen, S., Soh, E. & Martens, K. 2019. “Emerging Urban Mobility Technologies through the Lens of Everyday Urban Aesthetics: Case of Self-Driving Vehicle”, _Essays in Philosophy _20(2): Topical issue “The Philosophical Dimensions of Urban Transportation” (ed. Shane Epting), (25 pages).
Vihanninjoki, V. & Lehtinen, S. 2019. “Moving in the Metropolis: Smart City Solutions and the Urban Everyday Experience”, in Architecture and the Smart City, eds. S. Figueiredo, S. Krishnamurthy & T. Schröder. London & New York: Routledge, pp. 210–220.
Haapala, A., Lehtinen, S. & Vihanninjoki, V. 2019. ”Urban Aesthetics in Motion” in 21st International Congress of Aesthetics, Possible Worlds of Contemporary Aesthetics: Aesthetics Between History, Geography and Media, eds. Jankovic, N., Drobnjak, B. & Nikolic, M. Belgrade: University of Belgrade, Faculty of Architecture, pp. 143–144.
Lehtinen, S. 2017. ”Future Definitions of Everyday Environments”, in ICA2016 ‘Aesthetics and Mass Culture’, 20th International Congress of Aesthetics proceedings publication. Seoul: Korean Society for Aesthetics, pp. 645–649.
Lehtinen, S. 2015. “Personal Space and the Everyday Aesthetic Experience – Boundaries and Definitions”, in Performing Cultures, ed. Jakub Petri. Krakow: Libron, pp. 147–154.
Martínez Marín, I. 'Robinson and Self-Conscious Emotions: Appreciation beyond (fellow) feeling', Debates in Aesthetics 14, 1, 2019.
Martínez Marín, I. 'Non-standard Emotions and Aesthetic Understanding'. Estetika: The European Journal of Aesthetics. Vol.57, 2, 2020.
Mion, R-N. Representational Abstract Pictures. – Purgar, K. (ed), The Iconology of Abstraction: Non-figurative Images and the Modern World. London, New York: Routledge, 2020, pp 77-86.
Mion, R-N. Phantasms and Physical Imagination in Husserl’s Theory of Pictorialization. – Anuario Filosófico, vol 51, no 2, 2018, pp 325-345.
Mion, R-N. Husserl’s Theory of the Image Applied to Conceptual Art. – The Polish Journal of Aesthetics, vol 49, no 2, 2018, pp 59–70.
Mion, R-N. Threefold Pictorial Experience and Aesthetic Attitude. – Pelletier, J. & Voltolini, A. (eds) The Pleasure of Pictures: Pictorial Experience and Aesthetic Appreciation. Routledge, 2018, pp 107–124.
Mion, R-N. Husserl and Cinematographic Depictive Images: The Conflict between the Actor and the Character. – Studia Phaenomenologica, vol 16, 2016, pp 269–293.
Schellekens, E. Who’s Afraid of Conceptual Art? (2009, with Goldie P., Routledge).
Schellekens, E. Aesthetics and Morality (2007, Continuum. 2nd ed. 2021).
Schellekens, E. Aesthetics, Philosophy and Martin Creed (2020, co-ed. with Dal Sasso D., Bloomsbury).
Schellekens, E. The Aesthetic Mind: Philosophy and Psychology (2011, co-ed. with Goldie P., Oxford UP).
Schellekens, E. Philosophy and Conceptual Art (2007, co-ed.with Goldie P., Oxford UP).
Schellekens, E. ‘Disagreement about Taste’ in Women of Ideas (Warburton N. ed., Oxford UP, forthcoming 2020).
Schellekens, E. ‘Respect, Responsibility and Ruins’, with Page J., in Artifact and Memory: Philosophical Perspectives on Ruins, Monuments and Memorials (Bicknell J. & Judkins J. & Korsmeyer C. eds., Routledge, 2019).
Schellekens, E. ‘Seeing the Light: Aesthetic Experience and Understanding Pictures’ in Pictorial Experience: Perception and Appreciation (Pelletier J. & Voltolini A. eds., Routledge, 2018).
Schellekens, E. ‘On the Moral Psychology and Normative Force of Aesthetic Reasons’, with Dammann G., Estetika, 2017.'
Schellekens, E. ‘Value Judgements and Standards of Normative Assessment’ in The Semantics of Aesthetic Judgement (Young J. O. ed., Oxford UP, 2017).
Schellekens, E. ‘The Aesthetic Value of Ideas’ in Philosophy and Conceptual Art (Goldie P. & Schellekens, E. eds., Oxford UP).
Schellekens, E. ‘Towards a Reasonable Objectivism for Aesthetic Judgements’, British Journal of Aesthetics, 46:2, 2006.