Barn

It is the one that the farming tool hut in the Nakanojo-town Minohara district was dismantled and reconstructed.

This small construction had been built in a quiet field. An artistic look was obtained by eroding wind and rain now after it had been made by hand tens of years ago, but the beauty doesn't notice because it assimilates into the scenery of the mountain hamlet too much.

The person cannot equally grasp the environment and the art. The meaning changes according to nature or human work. Nature to become shape, color, sound, and smell and to make us pleasant is too big, stenciled and fleeting so we are made to think that nature and the human made art are another. The brain order to me "Accept the beauty of nature as natural", and then the borderline of the environment and the art is unconsciously pulled. Therefore, a lot of beauty is not noticed in scenery in Nakanojo.

For example, veins of a leaf, beetle's back, towering cloud in summer, sound of raindrops, and barn. Barns in Nakanojo exceeded the borderline though were not the natural phenomenon and it seemed that it was even changeable to natural beauty. It has melted to the environment too much.

Here, one of the barns is put in the frame of pure-white room, and an original color and shape is made to stand out. It looks imperfect such as Piece of fish's scale beauty. Though the person made it before, this exhibit is like the fragment peeled off from natural environment by force, so it shakes the borderline of the environment and the art that exists under our consideration.


Name : Nakanojo Biennale

Venue : Nakanojo

Principal-in-charge : Fujino Takashi

Collaboration : SNARK Maniackers Design

Design : 2010.08 - 2011.07

Dates : 2011.08.20 - 2011.10.02

Exhibits : barn

納屋

中之条町美野原地区にあった農具小屋を移築したものである.

この小さな建築は,長閑な畑に建っていた.何十年か前に人の手で作られたのち,雨風の浸食によって今では芸術的な風体をまとっていたのだが,その美は里山風景に同化し過ぎて,気付かぬ程であった.

人は環境と芸術とを同じ目で捉えることが出来ない.成り立ちが自然のものか,人工かで意味が変わる.形や色や音や香りとなって私たちを愉しませる自然は,しかし,あまりに大きく,厳しく,儚いが故,人の作る芸術とは違うものと刷り込まれる.自然の美を当たり前のものとして受け入れよ,と脳が働き,環境と芸術の境界線を,無意識のなかで引くことになる.だから中之条の風景の中に,数えきれぬ程の美が見過ごされている.

それは例えば,葉脈,甲虫の背中,入道雲,雨音,そして納屋.中之条の納屋たちは自然現象でもないのに,境界線を越えて自然美に変化しているようにさえ見えた.それほど環境に溶けていた.

ここでは、その一つを切り取り真っ白な部屋という枠の中に置き,本来の色と形を際立たせている.それは,魚の鱗の一片の美しさのように不完全に見える,この展示物は,かつて人が生んだものなのに,自然環境から無理矢理剥がした断片にも見え,私たちの意識の下にある環境と芸術の境界線を揺すぶってくる.


展覧会名:中之条ビエンナーレ

会場:中之条

担当:藤野高志

恊働:小阿瀬直建築設計事務所 Maniackers Design

設計期間:2010.08 - 2011.07

展示期間:2011.08.20 - 2011.10.02

素材:農具小屋